Theatre Arts

Programs

Courses

ENG 371: Playwriting

Credits 3

This course will focus on the tools and craft of playwriting - how to write dialogue, shape characters, create scenes and structure whole plays. Through reading, writing and discussion the class will seek practical application of the concepts we explore. In brief, this is a writing workshop – where the practice of playwriting begins not with brilliance, but by finding the time and space and presence of mind to write.

THEA 122: Theatre Production Practicum

Credits 1 3
Practical experience in offstage positions for Theatre Arts productions. Open to any experience level, students will participate in various production roles involved in the theatrical process, including set construction, costume construction, run crew, lighting crew, dramaturgy and design. Credits are awarded for varying amounts of committed work time over the course of the semester, both inside and out of the classroom or shop setting. Students will commit to 60 hours for one credit or 90 hours for two credits.

THEA 230: Theatre Production Practicum: Acting

Credits 0 3

Students cast in a main stage production or senior project collaborate as actors in the process of developing, rehearsing and performing the production for a public audience.

THEA 239: Intro to Theatrical Makeup

Credits 3
Students are taught vocabulary, application skills and visual awareness of a makeup artist for the stage. Through a series of projects, the student will gain the understanding of how makeup may affect the character's personality on stage.

THEA 240: Theatre History

Credits 3

The course offers an overview of the formal elements that distinguish one theatrical period from another. By the end of the course the student will be able to 1) accurately list and define the scriptural and performance elements of most Western dramatic forms, 2) accurately identify the historical period of a play based on analysis of dramatic elements and 3) effectively develop and execute research of a play to gain greater depth of the knowledge concerning that play.

THEA 250: Script Analysis

Credits 3
Students are introduced to the concepts, vocabulary, and interdisciplinary techniques of the process of developing theatre from page to stage. Cooperative discussions around the analysis of scripts from a variety of disciplines leads to student exploration of artistic, social and ethical questions in relation to season selection and specific audiences. Students also analyze and write response papers to both scripts and live theatre events.

THEA 260: Foundations of Acting

Credits 4
Students learn and practice the fundamental principles of acting within a practical, disciplined approach to the creative process. Work begins by developing awareness of personal mind-body-voice connections and progresses to improvisation, scene study and monologues. No audition required. There will be a public performance.

THEA 261: Movement for the Stage

Credits 3
Students study, explore, and experiment with various modes of individual expression, group interactions and visual composition through the use of human bodies in time and space to embody a story on stage. After developing a basic awareness of personal movement habits, students study professional performances and practice techniques to expand their own movement vocabularies. Readings, observation, personal reflection, and group work lead to the creation of silent scenes, solo character pieces, and ensemble-developed performances.

THEA 271: Intro to Theatrical Design

Credits 3
A scenographic approach to designing for theatre. In addition to creating theoretical designs for productions, perception, formal design analysis and non-verbal expressions based on the script are studies. Intended for directors, designers, filmmakers and all interested in the non-verbal methods of expression in the theatre.

THEA 322: Theatre Production Company

Credits 4
Students collaborate as members of a theatre production company; primary areas of concentration include acting, demanagement, and production. Each student will also gain practical experience in at least one additional theatre discipline. Qualified students will be cast in the production and/or assigned to leadership positions.

THEA 345: Intro to Stage Management

Credits 3
This course focuses on the principles and practices of contemporary stage management, and interpret the function of the stage manager in the entire production process. The class identifies the relationship of the stage manager to the director, designers, technical director, actors, stage crew, and wardrobe and properties managers, and specifies responsibilities and practices of a successful stage manager.

THEA 358: Greek & Roman Drama

Credits 3
A study of Greek and Roman tragedies and comedies including canonical texts (e.g., Plautus' Menaechmi) alongside lesser-taught ones (e.g., Seneca's Oedipus). We consider the literary/historical aspects of each piece alongside their performative natures. Knowledge of Greek or Latin is not required.

THEA 359: Shakespeare

Credits 4
This course focuses on Shakespeare's plays, and on the ways they represent an exacting storytelling craft filled with precise techniques: character webs and conflicts, symbols, and scene weaves. Along the way, students will team up to explore how Shakespeare pioneered some kinds of stories still read and seen today, and discover what Shakespeare's stories have to say about the how and why of human experience.

THEA 360: Acting Styles

Credits 4
Students further develop and practice scene analysis, character development, rehearsal and performance skills through study of specific acting techniques required for various dramatic genres. Coursework begins with historical, contextual and social research as related to the world of the play that then informs exploration of physical, voice/diction and behavioral choices that embody the playwright's vision. Students also gain practical experience with staging techniques that effectively negotiate the desired relationship with the audience. May be repeated for credit.

THEA 362: Audition Portfolio

Credits 2

Acting students select, develop and practice a portfolio of monologues to showcase their unique gifts. Students also will practice instant script analysis, cold-reading and improvisational audition skills, learn how to locate regional audition opportunities, and prepare a professional resume and marketing materials. (This course is strongly recommended for KCACTF Irene Ryan nominees.) 

This is a 7-week course (2nd seven weeks.)

THEA 365: Speaking Your Truth

Credits 3

Student performers and presenters discover and develop their unique style of story-telling and increase their range of expression via practical exploration of the body-voice-emotional life connection and the mechanics of speech production.  Finding your voice and discovering your personal balance between preparation and improvisation is the ultimate self-empowerment.

THEA 370: Directing

Credits 4

Students are taught the basic skills required to integrate script analysis, production decharacter development and staging techniques to realize a specific theatrical vision for an audience. Experiential learning opportunities arise as Directing students facilitate the work of Acting Styles students in classroom exercises, scene work and a final collaborative project for public presentation.

THEA 371: Playwriting

Credits 3

This course will focus on the tools and craft of playwriting — how to write dialogue, shape characters, create scenes and structure whole plays. Through reading, writing and discussion the class will seek practical application of the concepts we explore. In brief, this is a writing workshop — where the practice of playwriting begins not with brilliance, but by finding the time and space and presence of mind to write. This class will require additional meetings to be scheduled during the semester for group work, writing instruction and other activities. These times will be flexible, but the class does require that students have some time available for such meetings, as well as time for extensive reading.

THEA 372: Intermediate Costume Design

Credits 3
Trains students in the methods used in the theatre for expressing their design ideas. Develops communication methods used to bring the design to fruition. Includes drawing, painting, model-building and drafting. Students are encouraged to select two areas of specialization from: scenic, costume, lighting, sound, makeup and prop design.

THEA 375: Video Production II Editing

Credits 3
Videa Production II will be an in-depth exploration of the various creative roles involved in Production (Lighting, Sound, Photography, Directing, etc.) through collaborative, hands-on practice, with a special emphasis on Video Editing. Previous video production experience recommended.

THEA 380: Multicultural Theatre

Credits 4
This class will look at theatre as a way to discuss issues of race and identity in the United States. The course will look at the works of such playwrights as Baraka, Wilson, Hainsberry, Shange, Fusco, Moraga and Howe.

THEA 382: Special Topics

Credits 3
Topics include theatre of non-Western countries, 20th-century theatre movements, theatre of class and gender, and theatre as change agent. Prerequisites: Earlham Seminar.

THEA 386: Devised Theatre

Credits 4
This course provides a practical introduction to collaborative created theatre. Students will be exposed to devised theatre theory and practices (from Peter Brook to Anne Bogart to current experimental theater troupes) to apply to a variety of methods, including group writing, physical composition, improvisation, design-based work, as well as ways of offering critical feedback on works-in-progress. Through this course experienced theatre makers will discover an alternate approach to the creation of work and a supplemental set of artistic tools; for novices it provides an accessible entry point into application of valuable “soft skills” theater offers such as collaboration, communication, problem solving and self-expression.

THEA 387: Theatre For Social Change

Credits 3
Based on the belief that theatre requires both artists and audience members to exercise their compassion muscles, this course requires students to listen actively, research carefully and consult widely before setting performance goals for a target audience. Students must determine how best to achieve their goals through theatrical means, then spend the majority of their time in this class exploring and experimenting with different modes of presentation/audience interaction. Students will learn through class exercises, interviews, brainstorming, research, analysis and discussion, rehearsal, and presentation sessions both in and outside of the classroom setting.

THEA 388: Junior Seminar

Credits 1

During this course, each student will focus on crafting their senior capstone experience. In this course, you will clarify your learning goals, project objectives, evidence of learning, and timeline as your individual senior capstone proposal. This is a 7-week course during the first seven weeks.

THEA 422: Theatre Production Practicum: Leadership

Credits 4

Advanced practical experience in offstage positions for Theatre Arts productions. Students will participate in specialized leadership roles involved in the theatrical process, including direction, deset construction, costume construction, stage management, dramaturgy and more.

THEA 470: Directing II

Credits 3
Directing students will further develop their script analysis, research, and interpretation skills as they prepare scenes from a variety of genres for exploration with Acting Style students. Directors will also explore a wide range of rehearsal techniques and practice developing, refining, and communicating effective production concepts.

THEA 473: Design Portfolio

Credits 3

Following an approved learning contract, students will work on assignments and projects personalized to their needs and goals. Assignments and projects include advanced design problems, continued technique development, and building the portfolio and resume. Intended for students clearly planning on a career in theatrical design or those interested in developing the advanced skills necessary for acceptance into graduate schools and professional internships.

THEA 488: Senior Capstone

Credits 4
Each student produces evidence of learning, including documentation of the experience and a written process reflection. Students also prepare their resume, portfolio, and website, research post-graduation opportunities, and prepare for the oral comprehensive examination.